Showing posts with label self publishing. Show all posts
Showing posts with label self publishing. Show all posts

Wednesday, February 12, 2014

More on Self-Publishing

Yet another reason to love self-publishing: That typo on page 99 is gone. So is the one on page 100. And the extra space on page 38.

Now perfect! or is that furpect?
Hey, don't judge me - Guy Kawasaki's copyeditor found 1,400 errors in his first self-published book, so I'm in pretty good company, okay?


Stinkin' typos


No more losing sleep over those gosh-darned grammar gaffes. Catch a few mistakes in your self-published, POD* book? You can upload revisions to your heart's content.


Expert views on self-publishing


If you're looking more reasons to consider self-publishing, you'll find them. Just know it's not a perfect solution.
25 Things to Know about Self-Publishing (CNET)
Maybe Traditional Publishers Have Met Their Match - and will change? (The Shatzkin Files)
A British Novelist's Perspective (The Guardian)
How Much Does it Cost? (Writer.ly article) (Note: it can be done for zip, zero, zilch)
A Round-up of Options circa July 2013 (pbs)
Self-publishing options, compared

*POD = print on demand; in my opinion, the only way to self-publish - but in fact, it's not the only method available. If you're considering self-publishing, you'll need to invest a lot of time in reading all about the options available. That's the only way to find out if one is right for you, and if so, which one. 



Monday, February 10, 2014

Slide Share by the Numbers

Athletes know their stats; they measure by them daily. Weight-watchers count calories. Writers live by their deadlines, and word counts.

My point is that even if you're a communicator - a "word person" - it's foolish to ignore the numbers.

The best Slideshare presentations (at least according to Slideshare) contain about 14 slides, with each slide containing about 10 words.

I struggle to be so brief!

Struggle can be good, though. So, here's the Slideshare presentation I created to drum up some interest in my newest book, Dumb Things We Say to Dogs. I welcome your comments! And, of course, you're welcome to buy the book :D

Send a message via my Dumb Things Facebook Page or on Twitter, and I'll be happy to share a discount code with you to cover the cost of shipping when you order a copy.

Looking for more tips to succeed with Slideshare? I think this is a good list:
http://www.exacttarget.com/blog/13-solid-strategies-for-succeeding-at-slideshare/

Thursday, January 30, 2014

Why I wrote Dumb Things, and self-published them

As I've tweeted, blasted, mentioned, exclaimed, and lamented, I have written and published a collection of essays. Self-published, mind you.

Why?
Who's the patron saint of lost causes? Maybe we should ask him.

Seriously? It was part passion and part test.

Passion, meh. I've considered myself a writer since about 1976. Since no one else seemed interested in publishing a collection of my work, well, hello CreateSpace.

The test part? I'll explain: The essays, for the most part, were written and ready to go. Self-publishing has come so far so fast, I could no longer write off the option (pun intended). But the writing projects nearest and dearest to my heart really need color and great graphic design IMHO. I felt I needed to walk before I could run, if you will. My essays and black and white images seemed like a great place to start.

I'd love to know what you think of my book of Dumb Things. Leave a comment here or reach me via Twitter or my Dumb Facebook page.



Monday, January 27, 2014

Self-publishing: Why not?

The publishing industry has changed at least as much as any other has in the past five years. While traditional publishing contracts are far less lucrative as they once were, self-publishing has come a long way, baby.

No longer the vanity press, ugly stepchild option for misfit writers, self-publishing has legs.

Many published authors - people who have actually received royalty checks - have chosen the DIY route. Some self-published books later garner contracts from traditional houses - though perhaps not all that you've heard about.

A few forward-thinking agents are playing along.

I've decided to dive in, too. I had a great experience with my first book - a regional hiking guide, published by Menasha Ridge Press - but other manuscripts have languished. Yes, in part, I'm diving in out of frustration. But in spite of Harold Underdown's cautions, I believe it's time.

I hope you do too. Dumb Things We Say to Dogs is now available... and oh, you better believe I'll welcome your thoughts on it!

Thursday, November 21, 2013

Grandma Gets Rerun Over in This Blog

This is a rerun of a feature on "Grandma" Gatewood, whom I wrote about roughly a hundred years ago. <recalculating> Actually, it was 2003. It appeared on a (now defunct) content site for which I was the Ohio Guide. I see that look of awe on your face. Yes! And now you get to read it, right here! But wait, there's more...

I've been reviewing a lot of things I wrote back in the day, and decided (are you sitting down?) to compile some of them in a book. I'll publish using Amazon's CreateSpace, because if there's one thing the world needs more of, besides self-published books, it's a collection of snarky essays, right?

You're welcome.

But back to essays and writing them, since this is supposed to be a "writing blog" and all. As you're sure to notice, this ditty on Grandma Gatewood isn't an essay; it's an article. Factual is nice (I loves me my research) but there's no personal insight or thought-provocation going on here. I really need to fix that, but this post is a bit long already. So I'll add some enduring wisdom to the piece when I get a round tuit, and put it in the book, which will be available from Amazon sometime in December. In time for Christmas shopping, even!

#seewhatIdidthere

In the meantime, the original post appears below. This one is for Maureen, who rightly noted "We really need to bring 'pantywaist' back to the insult table."

Good Ohio Grandma

When we sing, “over the river and through the woods, to Grandmother’s house we go…” most of us conjure up visions of a stereotypical grandmotherly figure, all round edges and special recipes. Not that there’s anything wrong with that – that describes my grandma pretty well, and I’m not interested in amending my memories, thank you.

But let’s remember that grandmas come in all shapes and boot sizes. Grandma Gatewood, for example, raised 11 children in southern Ohio in the early 1900. She also worked as a practical nurse and trained Peace Corps volunteers. And when she read that no woman had hiked the whole Appalachian Trail in a single season, she decided to be the first. She was 68.

She hiked the AT twice more before taking on the Oregon Trail in 1959, when she was 72. At age 75, she was still building trails in Ohio, some of which would become part of the Buckeye Trail.

Thanks to the vision and toil of Grandma and others, today we can go over the river and through the woods, indeed, on more than 1,280 miles of the Buckeye Trail, on foot. If you haven’t logged at least a few miles over the river and through the woods on foot, Grandma had a name for you: Pantywaist.

Fittingly, one of the most frequently-used portions of the trail, from Old Man’s Cave to Ash Cave in Hocking County, is dedicated to Grandma Gatewood.

##

This article first appeared on the long-defunct Suite 101 Ohio: People and Places page in 2003. Although I’ve logged a lot of miles on Ohio’s trails, including those between Old Man's Cave and Ash Cave. I’ve never built a trail, though, or trained a Peace Corps volunteer, so I suppose I could be labeled a “pantywaist.”

Friday, November 11, 2011

Guest Post: Debbie Alferio


Debbie Alferio is the award-winning author of the Forever Love fictional romance series. She writes without outlines and is quick to say she hasn’t received any formal writing training, and gushes about her crush on Country Music recording artist Chuck Wicks, the inspiration for her books' main character.

Unapologetic about her aversion to outlines and her self-published status, Debbie offers practical and encouraging advice for other writers, and reminds us how important it is to remain true to yourself.
   ---
Q:
You’re the Ohio rep for Authors Across America and a member of the International Writer’s Association, American Author’s Association, OhioProfessional Writers, and Writer’s Ink. So you’re obviously steeped in writerly advice. But, really, you’ve never used an outline?

A:  
I know of a lot of authors who prefer to use outlines and swear by them, and others who find them restricting.  I fall into that latter group.  On the few occasions I have tried to outline, I've felt like, if I didn't stick to the thing like glue, my finished product wouldn't be worth its weight in salt.  When I write, I like to let the muse take control, and if the plotline or characters happen to change direction midstream, I can go with it.  For me, outlining means feeling too rigid and structured with my writing.  I enjoy the freedom to let the elements of the story unfold as I go along.  Luckily for me, it's worked very well so far!
    ---
Q:
Please, tell us what it’s really like working with AuthorHouse. (And don’t just say “great!”)  Do you act more like an entrepreneur than author? How does the editing process work? What kind of marketing support do you get?

A: 
Am I allowed to say wonderful?  How about fantastic? LOL.  Seriously, my experience with Authorhouse has been very positive.  The company produces a quality product, the staff is always friendly and knowledgeable, and although they're one of the larger independent publishers, I've never felt like I was just a number to them. Authorhouse makes my books available through thousands of online outlets worldwide, and they can be ordered via Ingram, Bowker's, and Baker & Taylor. To be honest, I believe that all authors, regardless of the method they use to publish, are entrepreneurs of sorts.  Your book is your business, and ultimately, no one can promote it the way you do.  The company does offer marketing support, and the advice I've received from my Author Services Representatives over the years has been priceless in getting me to where I am now.  As for editing, the company does offer this service; however, I preferred to use my own editors.
    ---
Q:
Would you describe your editing process, then – and how you've found editors?

A:
Let me share a little story.  When it came time to edit A Forever Kind of Love, I was not in a financial position to pay for professional editing services through Authorhouse or from the private sector.  Knowing enough about the process to understand editing is a must, I chose a group of close family and friends to take on the job for me.  I was very grateful for their help; and while they spotted many of the more "obvious" errors like grammar and punctuation, there were a few things overlooked which ended up getting published in the book.  Fortunately, those things are very minor so as not to detract from the overall quality of the story or be picked up in most cases by the reader.  Do they bother me?  Of course---no one wants mistakes in their work, but it does happen, and sometimes even with big-name authors. 

Anyway, the second time around I guess you could say I had "lived and learned" enough to find someone with more actual editing knowledge.  The lady, Arlene Towne, was one of my high school teachers.  Mrs. Towne worked over my 470-page manuscript for "Waiting for Tomorrow" five times--word by word, line by line.  She not only edited, she also mentored me in the proper usage of commas (I tend to be comma-happy!) as well as where dashes and semicolons can be used instead.  She took the time to make sure the work was polished before it went to the printer.  Her diligence paid off in one of the highest compliments I have ever gotten--actually from a friend who is a freelance writer and editor herself.  She told me that "Waiting for Tomorrow" was one of the most perfectly edited works she has ever read!  So, the moral of the story?

There are many ways to find a good editor; just be sure that whoever you choose actually knows what to look for.  Be sure they understand the principles of sentence structure, grammar, spelling, punctuation, as well as what sounds right to make the story flow.  A good editor is a great asset to you and the success of your work.
  ---
Q:
When you conduct writing workshops, what’s the most surprising thing you tell new (or old!) writers? What do you think is the “aha” moment for those listening to you?

A:
New writers often are surprised when I tell them that I make a higher royalty per sale being independently published than some of the traditionally-published authors I know, and that they often do as much marketing as I do.  There seems to be a misconception that traditional publishing houses automatically shower you with money and publicity when you land a contract.  I tell them sure--if your name is Nora Roberts or Clive Cussler!  LOL.  Now, I'm not knocking anyone's choice on how to publish--that's a personal preference.  Traditional publishing has its advantages, but in most cases for the new author, don't expect to get rich or famous overnight.  You still have to work at it.
   ---
 Q:
Promotion is a tough nut to crack for most authors. You’ve shared some very helpful, practical advice on your blog.  Have you done anything sort of quirky or unusual that really paid off?

A:
I'm not sure if it qualifies as quirky, but I've developed a knack for incorporating the phrase, "I'm an author" into just about any conversation or situation I find myself in.  I've been known to tell everyone from the UPS guy to the clerk at the grocery store what I do, and in many instances, it's either resulted in a  book sale or sometimes even a speaking engagement.  I simply make sure to listen and watch for an appropriate window in the dialogue, make a casual mention of my art, and go from there.  It helps, too, that I always carry brochures in my purse for those occasions so that I have something to offer about my work.  Word of mouth is still the best way to advertise!
   ---
Thanks, Debbie! Your advice is helpful and I'm sure it will be appreciated by many new (and not-so-new) writers.

Now, dear reader, can you help me out? I’ve been lucky enough to post advice from Debbie, Derek Taylor Kent, Carmen Ambrosio, and Andrea Richesin so far this year and now, I’m looking for guest bloggers again. If you’re a published author or professional copywriter, and would like to share a few words of wisdom here, please contact me.

I’m also looking for guest writers for my reading blog, where you can chat up your favorite (or most disappointing) reads. I hope to hear from you soon! 

Next up... what should a writer do for the holidays?



Wednesday, September 21, 2011

The Scary Path to a Book Deal

A Guest Ghost Post by Derek Taylor Kent, AKA Derek the Ghost, and author of Scary School, HarperCollins (c) 2011

My name is Derek Taylor Kent (AKA Derek the Ghost). I recently received a three-book deal for my YA series Scary School, which comes out June 21, 2011 (scaryschool.com). Sounds like a dream come true, right? Keep reading.

My story begins when I was 15 years old. It’s March 1994. For a creative writing class, I undertake writing an epic illustrated fantasy series. As I write it, I love it so much that I am 100% sure that I want to be a children’s book writer for the rest of my life.

For the next six years, I work relentlessly on this illustrated series. My mother (a well-known artist) creates sample illustrations but can’t finish an entire book.

The furthest I could ever get with it is in 2000 when I obtained a small agent based in Florida who was unable to sell it. I was confused. I was angry. I was petrified that what I believed was incredible was actually no good, or at the very least, unsellable.

Around this time, the Harry Potter series started blowing up. I was resistant to read it, as I must admit, I had an inner jealousy for her success as a children’s writer. However, I had to see what the fuss was about. As soon as I read the first book, I became JK’s biggest fan. Like her, I had been trying to create a dark, epic fantasy series, but I realized that I was misguided in trying to make them into short illustrated books. What I believed was “unique” was actually tonally confused. The illustrations suggested a six to eight year old audience, but the epic fantasy storyline suggested a nine to twelve year old audience; and worse, the themes and high language could only be appreciated by adults.

Despite pouring ten years into this series, I had to abandon it in 2004 (although my mother remains sure it will eventually be my biggest success). I realized I had to reinvent myself as a novelist if I was going to make this work, and I was so inspired by young Harry, that I just had to create my own world like JK did.

April 2005. I spend about a year writing my first novel: Scary School, Book 1: My Homework Ate my Dog. Here’s the logline from my query:
When an enchanted sheet of homework "eats" his pet beagle and disappears, a gutsy 11-year-old boy embarks on a terrifying quest to rescue his beloved pet from a greater evil than he could ever imagine.
Not bad, I think.

October 2006. After completing the first draft of My Homework Ate My Dog, I began sending out a light mailing to a few agents and publishers. All rejections.

Again confused, I started giving the manuscript to readers, and one especially helpful woman who used to work as an editor. She gave me detailed notes that would require a heavy rewrite, but also said I definitely had something that could sell. If I have one strength as I writer, it’s my willingness to not only to take, but implement notes from critique.

I spend months doing exhausting rewrites implementing all of her notes to the letter. I may not have agreed with all of her notes at first, but after incorporating them, I had to agree the book was greatly improved.

Early 2007. I felt the time was finally right to do a serious submission. But guess what? I had a day job and my spare time was filled with other projects (I was doing theater and also forming a production company).

My Homework Ate My Dog goes on the backburner as another year passes.

July 2008. There’s a brief window of time off from my day job. I decide that it’s time to go full-out toward finding an agent or a publisher. If it doesn’t happen, it will probably be the end of my YA writing aspirations.

The task before me is daunting. I have the Guide to Literary Agents and the Children’s Marketplace books. I scour all the online resources. I make a thorough list of every single agent and publisher possible who might be interested. I quickly realize it would probably take me a year to reach out to all of them, and I only have a couple weeks of free time. So, I hire an assistant. His job is to sit in my apartment for eight hours a day and do nothing but create and send out packages to every single YA lit agent in America. There are thousands. I spend my time focusing on the online querying campaign. I send out dozens of query emails per day.

The mailings and the assistant cost a lot of money – probably a couple thousand –but I ration that it’s a fraction of what I would get for a book advance, so it’s an investment. And tax deductible.

Responses start coming in. Email responses come in quickly. I’m getting bites. About one in every ten I send out is asking to read my manuscript or sample chapters. Most are rejections of course, but if you have a 10% positive response rate to your query, you know that you probably have something really good, at least in concept.

Weeks go by as the agents are reading my manuscript. Of the hundreds upon hundreds of queries and packages sent out, I continue receiving requests for the manuscript at a rate of about 10%.

Responses from agents who requested the book start coming in. I get some positive feedback but nobody “feels strongly enough” to take it on.

August 2008. Eric Myers from the Joe Spieler Agency requests sample chapters. A week later he requests the complete manuscript. On September 20, 2008, Eric Myers is my agent. He is very enthusiastic and has a great track record.

Based on Eric’s notes, I do another rewrite of the book before he sends it out. The book is improved.

December 2008. Every publisher my agent has submitted to has passed on Scary School: My Homework Ate My Dog.

There is one glimmer of hope. A junior editor at HarperCollins says that “she really likes my writing and the humor of the book, but what I was expecting from a book called Scary School: My Homework Ate My Dog was not what I got. I was hoping for a light, funny book about a Scary School for a young audience, but instead got a dark fantasy book for an older YA audience.”

She was exactly right. I had made the same mistake I had made with my illustrated series. My title was screaming: silly/funny book for the 8-9 year old audience. But I had given her an even darker Harry Potter. Had I learned nothing?

The editor concluded with: “I do feel there is a market for a Scary School book series for a younger audience should he feel inclined to write it.”

There it was. A bite from a publisher. I had a fan and she had told me exactly what she wanted. The only problem was my “bite” feels like an orca whale. I’d have to write a whole new book for her, and I’d have to write it fast so she didn’t forget about me or buy another book in the same genre. But, if there’s one thing I like it’s “challenge” writing. And I love working on it deadlines. It keeps me focused and productive.

I sequester myself over the Christmas holiday and complete the first draft of the new book series, simply titled Scary School. It’s a comedy. I laugh out loud while writing it. I’ve always been a comedy writer at heart. I should have done this before.

The first draft is done by January, 2009. I spend two months showing it to my trusted readers and editing it based on their notes. I send it to my agent in March 2009. He doesn’t like it as much as My Homework Ate My Dog. He says it reads more like a collection of short stories instead of a linear story with a main character. He thinks I should rewrite it.

I really don’t want to do this rewrite. I feel confident this is the proper format. We eventually agree to send it to HarperCollins as is.

A couple weeks later, the junior editor writes back: “This is exactly what I was hoping for. I love it! I think we really have something here!”

I dance around my apartment and weep with joy.

For the next several weeks, I work on a new draft of Scary School with the editor. She needs it to be as good as possible before showing it to the higher ups for approval. We add more of a linear storyline into it while keeping the integrity of the short story format.

It’s much better. Everyone at HarperCollins loves it.

May 2009. HarperCollins offers me a three-book deal for Scary School.

The advance is not enough to quit my day job, but it’s enough to put a down payment on a new car, create a website, hire a publicist, and print thousands of Scary School t-shirts.

As I write this, Scary School was released a couple months ago, on June 21, 2011. Yes, after all that, I had to wait another two years before it was scheduled for release.


Over that time I have self-published My Homework Ate My Dog, which is now called Rudy and the Beast: My Homework Ate My Dog! There’s still an issue with the title, but I won’t surrender it. I also self-published an illustrated book called Simon and the Solar System.

This year, I finished a new YA novel called Principal Mikey about a kid who becomes principal of his school. I think it’s the best novel I’ve written and is absolutely hilarious.

No bites yet. Fingers crossed!